Irish violinist Darragh Morgan (b. 1974) leads a successful career in classical music and is known for his versatile ability to perform music from baroque to contemporary styles. He frequently performs and records solo and concerto repertoire including world premieres and works dedicated to him written by major contemporary composers such as Arvo Pärt, Sir John Tavener, Kevin Volans, Gerald Barry and Michael Finnissy. His impeccable technique and openness to exploring new styles are widely recognised and have led to regular collaborations with artists such as Thomas Adès, Emmanuel Pahud and Nicholas Daniel. World-class international groups, including Ensemble Modern, London Sinfonietta, Birmingham Contemporary Group and Les Siècles have invited Darragh to be their guest leader and this has seen him working closely with conductors Pierre Boulez, François-Xavier Roth, Oliver Knussen and Heinz Holliger.

As a soloist, Darragh has performed at Wien Modern, Festival d’Automne Paris, Osterfestival Tirol, Lucerne Festival, BBC Proms Chamber Music, Aldeburgh, Spitalfields, Cheltenham, and Huddersfield Contemporary Music Festivals. His interest in chamber music has led him to found The Fidelio Trio. Described by The Sunday Times as “the virtuosic Fidelio Trio”, they have performed at Wigmore Hall and Shanghai Oriental Arts Centre, and recorded Michael Nyman’s Complete Piano Trios for MN Records and Philip Glass Trios on Orange Mountain Music. As former violinist in the Smith Quartet, the group performed and recorded with artists as divers as Louis Andriessen, Gavin Bryars and Steve Reich, and appeared at Seoul Arts Centre and The Phillips Collection, Washington D.C.

Darragh has recorded over 50 solo and chamber albums for classical music labels including NMC, Naxos, Resonus Classics and Signum. He serves on the violin faculty at The Royal Welsh College of Music and Drama, and previously at The Royal Conservatoire of Scotland. He is regularly invited to give masterclasses at world-class institutions such as Peabody Conservatory and Curtis Institute. His achievements as a musician are heavily indebted to his teachers and coaches including Yehudi Menuhin, Mauricio Fuks, Pinchas Zukerman, Detlef Hahn and the Amadeus and Takács Quartets during his formative years.

Darragh plays an 1848 Giuseppe Rocca violin, generously on loan from the Morgan-Rocca Instrument Trust which is administered by The Royal Society of Musicians.



May 2017 – Not to be edited without prior permission.
© Darragh Morgan



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‘One soon got over the surreal experience of someone playing like Paganini, but wearing pants like Robbie Williams…’
Sunday Tribune, South Africa

‘Virtuosic playing, especially the clear and precise violin of Morgan, and Dullea’s work on the piano…’
San Francisco Classical Voice

‘ “Definitive” isn’t a word to be brandished lightly but the sheer sonic loveliness of Tilbury’s softer-than-soft softs and Morgan’s salamander zigzag slide around Feldman’s self-renewing lines is, you guessed it, matchless.’
Gramophone Magazine

‘Gorgeous lyrical playing from violinist Darragh Morgan…’
The Independent

‘The former Concert Master is the perfect master of his art…’
Der Standard Wien

‘This was a remarkable performance, one that seemed shrouded in the aura of John Tilbury’s experience in this music. Tilbury is rightly seen as a foremost interpreter of Feldman. He was joined by Belfast‐born violinist Darragh Morgan, who seemed to think little of being in a very exposed spotlight for just under 90 minutes.’
Seen and Heard International

‘Morgan and Dullea do a superb job with razor-sharp articulation…’
The Rambler